Comedy & Humor

When Milan Patel visits his parents at their family-run motel in Montana, he's expecting the usual drama. But shortly after he arrives, his father mysteriously dies in the motel pool. Now everyone's a suspect. What was meant to be a quick trip becomes Milan's worst nightmare, as he races to solve his father's murder while confronting the past he tried to leave behind.

“The afternoon of September first, dishwater-gray and rainy, a man named Dale Figgo picked up a hitchhiker on Gus Grissom Boulevard in Tangelo Falls, Florida. The hitchhiker, who reminded Figgo of Danny DeVito, asked for a lift to the interstate. Figgo said he’d take him there after finishing an errand.” Thus begins Fever Beach, with an errand that leads—in pure Hiaasen-style—into the depths of Florida at its most Floridian: a sun-soaked bastion of right-wing extremism, white power, greed, and corruption.

Scottie Price just started a new job and it's a real sausage fest. She's the only woman on a team filled with Brads and Chads. Expecting a bachelor pad atmosphere, she is quickly corrected when she finds out everyone is happily married. In an effort to impress her boss, Scottie mentions her nonexistent husband in a company meeting. But eagle-eyed Chad points out her lack of wedding ring.

Vienna, 1911. Gustav Klimt, the most famous painter in the Austrian Empire, the darling of Viennese society, spots a woman’s nude body in the Danube canal. He knows he should summon a policeman, but he can’t resist stopping to make a sketch first. And as he draws, the woman coughs. She’s alive! Back at his studio, Klimt and his model-turned-muse Wally tend to the erstwhile-drowned girl. She’s nearly feral and doesn’t remember who she is, or how she came to be floating in the canal. Klimt names her Judith, after one of his most famous paintings, and resolves to help her find her memory.

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people? In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties).

Entertainment journalist Dawn Roberts has a lot to work through: a widow’s grief, betrayals of family and friends, and scandals that almost tanked her reputation. Not that Dawn dwells on the past. Well, hardly. When she returns to Baltimore with her husband’s ashes, she can’t avoid it. In fact, she’s diving into decades of backstabbing and treachery for her first trip home in years. She’s looking at you, Joe Perkins. Her former mentor, whose explosive exposé about big-city corruption is being turned into a slanderous movie, is also back in town.

John’s House provides all he needs. Surrounded by a vast, beautiful ocean under a void of sky, the House is John’s haven. He is alone, but never lonely; he is here now, but neither remembers nor longs for a before. In his House, John is safe and untroubled. But then a terrible shadow creature breaks in—and it wants him out. Pushed from the House, John falls into the light… And finds himself in modern-day Los Angeles, the first person to ever come back from the other side.

Alyne Tamir was raised to live her life for others: for her husband, her family, and the Mormon church. For twenty-five years, she put others ahead of herself, repressing things that didn’t fit the neat, traditional story that had been written for her. On the surface, her life seemed picture-perfect. But in reality, Alyne was miserable, struggling to reconcile the pain and humiliation of abuse, an eating disorder, infidelity, and depression with her flawless image. Until Alyne reached a breaking point: the day her husband asked for a divorce—over email.

Lloyd McNeil has served as an officer with the Atlanta Police Department for 20 years while being a devoted father to his teenage son. But then he learns the worst possible news: He has learned he has an inoperable brain tumor, and he has only months left to live. Lloyd begins throwing himself into a series of increasingly dangerous situations, but things don’t go according to plan. Instead of dying, he becomes a civic hero. Meanwhile, a malevolent force from his past shadows Lloyd as he tries to get his affairs in order, teach his son the lessons he needs to be a good person.

Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste.

Penelope and Chase make a lovely couple. She’s a bubbly Southern California girl with killer work ethic. Chase is smart and charming and has political aspirations. They’re planning a spectacular California wedding, wrapped in peonies and thousands of little white lights, soaked in custom cocktails and romantic hashtags. Everyone’s excited about Penny and Chase’s wedding­­­­­­—except their mothers.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

Being best friends with a mega-star has its perks, and music journalist Nicole Wilde takes full advantage of them. But it also has its responsibilities. When lead singer Dylan King disappears the night before a charity gig, it’s up to Nicole to track him down. Half a dozen groupies, a haunted hotel, a tattoo parlour, a reality show runner-up and a crazy bed-hopping, sleepless night later – will she find him before the tour bus leaves town? And when she does, is it time to head home? Or to jump on the tour bus and go along for the ride?

A critic explores the paradox of finding community in “the dozens” while grieving. A violent town ritual causes an all-too-familiar moral panic. An email thread between friends on why we need an updated Green Book but for public toilets. All across the nation, “Karens” become illegal overnight. These are just a few of the hilarious worlds contained in Damon Young’s groundbreaking anthology featuring the best, funniest, and Blackest essays, short stories, letters, and rants.

Ever since she was a child, Cléo, the French-American daughter of two academics, has had only one obsession: becoming a famous singer. Over the years, to everyone’s surprise but her own, she overcomes every obstacle and becomes a global superstar with millions of dollars, countless awards, and several Los Angeles villas to her name. But as any celebrity will tell you, getting to the top is one thing; staying there is another. Now thirty-three years old, Cléo is taking her first real vacation in years, on a remote island with no one else in sight.

Fat girl, thin girl. Red hair, brown hair. Polish aristocrat, radical husband. Joan Foster has dozens of different identities, and she's utterly confused by them all. After a life spent running away from difficult situations, she decides to escape to a hill town in Italy to take stock of her life. But first she must carefully arrange her own death.

Marian is determinedly ordinary, waiting to get married. She likes her work, her broody flatmate and her sober fiancé Peter. All goes well at first, but Marian has reckoned without an inner self that wants something more, that calmly sabotages her careful plans, her stable routine—and her digestion. Marriage à la mode, Marian discovers, is something she literally can't stomach . . .

I'm willing to admit that I shouldn't read spicy scenes in public. But in my defense, the opportunity rarely rises elsewhere. As a single mom and farm owner, my time is stretched thinner than horse hair. Besides, I'd reached a pivotal peak in the story and couldn't put it down. That is, until someone bumps into me. My phone launches into the air like a base hit, but the device is caught before smashing into the ground. It comes as no surprise, considering the guy is a professional baseball star.

‘Hey, how you doing readers? Adam Buxton here… Let's begin with a recap. No, don't skip it! It's great stuff in the form of a montage of scenes from a film that would certainly revive the flagging fortunes of the cinema were it to be made: The Adam Buxton Story…’ So begins Love You, Bye – Adam Buxton’s wonderful follow up to the bestselling Ramble Book.

When Chip Leighton started sharing the funny, weird, crazy things his kids said and texted, he quickly learned he was not alone. Since launching, his channel has become the go-to support group for adults with teenagers in their lives. Parents worldwide use Leighton's posts to laugh, commiserate, and share their own kids' classics, like "Do I have Medicare?" and "Where do I buy pasta water?" or "Don't wear mom jeans to my school again." In this debut collection, Leighton showcases hundreds of these gems, plus plenty of tongue-in-cheek advice.

In these twelve new stories, Richard Bausch explores the passions of men and women facing unex­pected circumstances and the complications of modern life and love. In the novella “Donnaiolo,” for instance, the parents of a young divorcée who has returned from Italy and a failed marriage must deal with the completely different, and unappealing, person she has become. In “Isolation,” a happily married woman who has con­ceived an unexpected passion for another man learns, in lockdown during the pandemic, that this man—into whose life Bausch also gives us a window—has become ill with Covid.

In the middle of the Gulf of Mexico, on a chain of manmade islands, Steve Bennett finds himself thrust into a world he doesn't understand. An unexpected inheritance places him among the world's wealthiest people. His best friend, Paul, is more than happy to stand by him, as Steve works through his newfound affluence, right until the pair stumbles upon a secret that could change the world forever.

Jack Flowers knew he needed to shake things up when he jumped into the Straits of Malacca and hitched a ride to Singapore. Deftly identifying the fastest route to fame along the seedy port, Jack starts hiring girls out to lonely tourists, sailors, bachelors—anyone with some loose change and a wandering eye—soon making enough money to open two pleasure palaces. But just as Jack is finally coming into his own, a shocking tumble toward the brink of death leaves him shaken, desperate to pull himself up to greatness.

Stoned and porn-addicted surfer Baxter Kent is terrified of women and anxious to make things work with a sex robot. Acid junkie Arden Coover has a useless philosophy degree and a doomed relationship he believes might save him. His younger sister Tess is considering, or resisting, a convenient but loveless marriage to a wealthy, narcissistic novelist. Ryland Richter, an alcoholic insurance executive with too much money and too few scruples, is seeking toxic solace in the arms of a dangerously unhinged subordinate.

The queen bee of the fictional village of Riseholme, Mrs. Emmeline ‘Lucia’ Lucas is a snobbish yet oddly charming woman who prides herself on being the cultural and intellectual leader of her community. She dabbles in art, plants Shakespeare-themed flower arrangements in her garden and uses fake Italian phrases to maintain her social standing. Trouble brews when some new arrivals to town – including the glamorous opera singer Olga Bracely and the eccentric spiritualist Daisy Quantock – begin to challenge Lucia’s hold over Riseholme.