Benedict Cumberbatch reads the enduring classic of Franz Kafka's Metamorphosis. Gregor Samsa wakes to discover that he has turned into a large, monstrous insect-like creature. He attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repelled by the horrible creature he has become. First published in 1915, Kafka's darkly comic novella explores concepts such as the absurdity of life, alienation and the disconnect between mind and body.

Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers.

"In the Penal Colony" ("In der Strafkolonie") (also translated as "In the Penal Settlement") is a short story by Franz Kafka written in German in October 1914, revised in November 1918, and first published in October 1919. The story is set in an unnamed penal colony. Internal clues and the setting on an island suggest Octave Mirbeau's "The Torture Garden" as an influence

In the bizarre world of Franz Kafka, salesmen turn into giant bugs, apes give lectures at college academies, and nightmares probe the mysteries of modern humanity’s unhappiness. More than any other modern writer in world literature, Kafka captures the loneliness and misery that fill the lives of 20th-century humanity.

A sinister cabal of corrupt law enforcement personnel, intelligence agents, and military officials at the highest levels of government plotted to overthrow a president. Even after they failed, they continue to secretly pull the levers of power without any accountability to the American people. This isn’t the synopsis of a fictional spy thriller. This is what is actually happening in the United States government.

A Hunger Artist. the last book Kafka prepared for publication, was printed after Kafka's death. The protagonist, a hunger artist who experiences the decline in appreciation of his craft, is an archetypical creation of Kafka: an individual marginalized and victimized by society at large.

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy - it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he's assigned, he'll be in violation of Catch-22.

The Strange Death of Europe is a highly personal account of a continent and culture caught in the act of suicide. Declining birth rates, mass immigration, and cultivated self-distrust and self-hatred have come together to make Europeans unable to argue for themselves and incapable of resisting their own comprehensive alteration as a society and an eventual end.

The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.

In early nineteenth-century Russia, the threat of Napoleon’s invasion looms, and the lives of millions are about to be changed forever. This includes Pierre Bezúkhov, illegitimate son of an aristocrat; Andrew Bolkónski, ambitious military scion; and Natásha Rostóva, compassionate daughter of a nobleman. All of them are unprepared for what lies ahead. Alongside their fellow compatriots - a catalog of enduring literary characters - Pierre, Andrew, and Natásha will be irrevocably torn between fate and free will.

What is so important about the year 1215? There are some history buffs who may be able to tell you that 1215 is the year the Magna Carta was signed, but there are even fewer who know that King John of England’s acceptance of this charter was only one of four major, world-changing events of this significant year. In fact, the social, cultural, political, geographical, and religious shifts that occurred in this year alone had such a huge impact on the entire world, it warrants an entire course of study for anyone truly interested in the pivotal points of history....

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

Once, the Lamartine Hotel was a quiet refuge for New York’s stuffy fashionable set. But by the 1890s, fashion has moved uptown, and the lobby of the Lamartine has been overtaken by natty young sports, who pass their afternoons with billiards or shows of noisy derring-do. Their preferred damsel is Lila Williams, a delicate young telegraph operator whose shyness so charms them that they resolve to defend her against any ill-behaved characters. They are about to face their fiercest challenger, who rides in the gleaming armor of a millionaire.

Like a thief in the night, artificial intelligence has inserted itself into our lives. It makes important decisions for us every day. Often, we barely notice. As Joe Allen writes in this groundbreaking book, “Transhumanism is the great merger of humankind with the Machine. At this stage in history, it consists of billions using smartphones. Going forward, we’ll be hardwiring our brains to artificial intelligence systems.” With an academic background in both science and theology, Allen confronts the paradox of what he calls “good people constructing a digital abomination.”

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable.

One of the great works of the 20th century, Kafka's The Trial has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. In it, a man wakes up one morning to find himself under arrest for an offence which is never explained. Faced with this ambiguous but threatening situation, Josef K. gradually succumbs to its psychological pressure.

In the bizarre world of Franz Kafka, salesmen turn into giant bugs, apes give lectures at college academies, and nightmares probe the mysteries of modern humanity’s unhappiness. More than any other modern writer in world literature, Kafka captures the loneliness and misery that fill the lives of 20th-century humanity.

Benedict Cumberbatch reads the enduring classic of Franz Kafka's Metamorphosis. Gregor Samsa wakes to discover that he has turned into a large, monstrous insect-like creature. He attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repelled by the horrible creature he has become. First published in 1915, Kafka's darkly comic novella explores concepts such as the absurdity of life, alienation and the disconnect between mind and body.

New translation of The Metamorphosis by Franz Kafka. Poor Gregor Samsa! This guy wakes up one morning to discover that he's become a "monstrous vermin". The first pages of The Metamorphosis where Gregor tries to communicate through the bedroom door with his family, who think he's merely being lazy, is vintage screwball comedy. Indeed, scholars and readers alike have delighted in Kafka's gallows humor and matter-of-fact handling of the absurd and the terrifying.